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Tabloid Menace For Classic Hollywood
Copyright © 2005, Lacey Warren
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Where are the days of the red carpet? Those stars walking out of
their limousines and waving at an ocean of fans, reeling them in
to see the films. Today’s Hollywood has a different method for
movie distribution and box office sales: tabloids.
Lately, it seems that the actor’s talent and the strength of the
story is not enough anymore to increase ticket sales. Studios
push the stars into situations that will attract paparazzi which
means but one thing: free publicity.
More recently, the TomKat brought in huge ticket sales for Steven
Spielberg’s War of the Worlds, despite some complains from the
studio executives that the relationship was taking too much
attention away from the actual film.
Tom Cruise was the center of controversies that all began
strategically a few months before the premiere of the film. He
began a much publicized relationship with Katie Holmes, then made
a very vocal appearance on the Oprah Winfrey show and was later
criticized for his rough interview with Matt Lauer.
This may or may not have hurt the box office success of
Spielberg’s War of the Worlds, but it seemed a second nature
to a big budget extravaganza like Spielberg’s latest.
Angelina Jolie and Brad Pitt’s recent relationship seemed develop
around the same time their film Mr. and Mrs. Smith came out. Ben
Affleck and Jennifer Garner’s relationship seemed to spark off
before Garner’s Elektra opened.
Of course, there are some rare cases where all the attention
hurts the film. Gigli was one of those situations where the film
was completely overshadowed by the Bennifer Factor. The media
focused so much on the glam-lifestyle of Ben Affleck and Jennifer
Lopez that moviegoers went to see this movie with tomatoes in
hand and somewhat of a chip on their shoulders. The film
completely bombed at the box-office but it might have stood a
slight chance if it was made on a more low-budget and low-key
environment with less flashy stars.
When there is less scrutiny from the media and more focus on
the actual story of the film, audiences go in with neutral
expectations and leave more space to be pleasantly surprised.
This was the case with a film like Napoleon Dynamite that did
not have any major stars or gossip attached. Moviegoers went
into the theatre with a clear mind and no biases. Another film
that will offer that gossip-tabloid-free environment is
Machiavelli Hangman that is predicted to be a major hit in
2006, despite an incredibly low-budget.
Audiences need to get back in the mode of classic Hollywood where
film are valued based on how its stars deliver the story, not the
gossip.
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Writer's Resource Box:
Lacey Warren is a freelance reporter for Hollywood gossip
columns. While the gossip columns may be light on information
about Machiavelli Hangman (http://www.hangmanmovie.com), many
people including Lacey believe that it will be a film worth
seeing.
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The article on this page is Copyright © 2005, Lacey Warren
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