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Nicollo Machiavelli Goes To Hollywood
Copyright © 2005, Trudy Washington
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There has been a lot of talk about Nicollo Machiavelli lately,
namely because of the independent film Machiavelli Hangman that
has a plot based on his writings. Machiavelli was a philosopher
in the 16th century and a political theorist that many believed
for a very long time to be the human reincarnation of Satan. His
book the Prince has always lead audiences to question the origins
of the main character. Many critics and historians believe that
the prince actually refers to the prince of darkness.
Machiavelli argued that men have to focus on success regardless
of whether achieving that success will have to go against
principal values and morals. This among other doctrines earned
Machiavelli an image of cruelty and evil.
Although this may seem a dark and politically charged subject,
the film Machiavelli Hangman is anything but. The script by
independent filmmaker Shervin Youssefian fills the world of
Machiavelli with a sharp wit and sense of humor that turns the
film into a work that is very reminiscent of the fresh earlier
works of Woody Allen. The dialogue competes with Quentin
Tarantino's best; the cast is superb as if the characters
were written precisely with them in mind.
For those of you who may be familiar with Machiavellian
philosophy, you will be pleasantly surprised at the hints that
the filmmakers have left behind in the search of the Italian
devil. For those of you who have never heard of Machiavelli, this
movie will be equally entertaining because it has such freshness
in its presentation that it sizzles.
Being a great fan of history books, one might expect to be
bombarded by a lot of information a la JFK directed brilliantly
by Oliver Stone. However, Machiavelli Hangman is a
ride for the senses and less for the mind. It lets the
imagination roar but it does so while sitting back and in
such a relaxed way that the audience is not pressed to make
sense of everything.
The filmmakers also do not give away the rewards; instead, they
let the audience put the pieces of the puzzle together for
themselves. That is the main reward of the film; its ability to
involve the audience and let the viewer feel in control of the
fun zigzagging of the film.
While Nicollo Machiavelli is present in spirit throughout the
whole film, his doctrines and teachings do not overwhelm a film
that is over wise intended to appeal to large audiences, old and
young. It welcomes people with background knowledge of the prince
and those without it, and most importantly it satisfies everyone
with a love for great filmmaking.
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