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Golfers- Crush Your Drives... AND Keep It In Play
Copyright © 2005-2006, Jack Moorehouse
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So you want to drive like Tiger and putt like Ben Crenshaw, huh?
Don't we all.
Long drives and accuracy are a bit like oil and water in terms of
a combination but they don't have to be. Just imagine if you
could hit your drives consistently in the fairway 250 yards +
nearly every time... wouldn't that make the game a lot easier...
and fun?
Having a good tee ball is critical to your confidence and placing
the ball where you can score. We all can get easily frustrated
when things go sideways with the driver so I'm going to share you
with you some secrets on how to get the most distance from your
tee ball while keeping it accurate.
There are basically three elements to being able to get the
distance and accuracy you desire with the driver.
1. You must have a good handle on the clubhead and have complete
control of it. There are two things to check when dealing with
club face control. First, you need to check your grip. Second,
you need to see if you have the ability to hit a ball to the
left and to the right. If you can do both of those, you should
be able to split the difference and hit the ball straight. Now,
I'm not talking about being able to work the ball like a trick
shot artist... just know how to bend it a little right or left
when needed. (Hint: Open the clubface to hit a fade, close it
slightly for a draw)
2. Make sure you have good rotation in the shoulders and hips.
Power is created from "coiling" or turning away from and then
back through the ball. If you don't "coil" or turn properly,
you will never realize maximum distance. Pretend you are
trying to turn your belt buckle as far away from the target
while turning during your backswing. Also, make sure that
when you come through the ball at impact, you are completing
your turn to a nice high and solid finish.
3. You will need really good rhythm in order to achieve your
best distance and accuracy. Don't be tempted to make a quick
move from the top of your swing, which can ruin your entire
tempo and sequence of events. (Most high handicappers make
this mistake). You can counteract this movement by developing
internal counting during your swing. Counting "one one
thousand" on your backswing and "two one thousand" on the
downswing will help to create a smooth rhythm.
Now, most people will have trouble with these elements with the
driver because it is the longest and most difficult club to hit.
It will be easier with the shorter clubs because there is less of
a premium on distance and more on accuracy.
One drill I have seen work wonders is to try and alternate
hitting your driver and 9 iron when practicing. Start with the 9
iron and make a few good swings using the 3 elements above. Don't
overswing, just make nice easy swings. Then, pick up the driver
and create the same motion and tempo. Don't swing any harder,
just focus on the elements. If you can't hit the driver with the
same results as your 9 iron, go back to the 9 iron and see the
difference. Keep alternating 9 iron and driver until you get a
consistent rhythm and tempo. A great case in point is to watch
PGA pro Kenny Perry. He hits the ball a long way with a very
compact and easy swing. Why? Because he has great control over
his clubhead, makes a wonderful turn away from and through the
ball and lastly, has exceptional rhythm.
So, pay attention to these 3 elements and don't be surprised if
you starting hitting them long... AND straight.
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Writer's Resource Box:
Jack Moorehouse is the author of the best-selling book "How To
Break 80...And Shoot Like The Pros!" http://www.HowToBreak80.com
and is NOT a golf pro, rather a working man that was able to
figure out the secrets of shooting in the 70's on a consistent
basis without quitting your day job. Jack has helped thousands
of golfers from all seven continents lower their handicap
immediately. He publishes a FREE weekly newsletter every
week to help golfers lower their handicaps fast.
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The article on this page is Copyright © 2005-2006, Jack Moorehouse
You are not required to show the creative commons license notice when you reprint this work.

This work is licensed under a Creative Commons License.
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