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Animated Humanity
Copyright © 2005, Robert Hurtado
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The success revolving around Pixar animations mainly lies in the
fact that they can so brilliantly combine a great story with
stunning new technology. After a long streak of successes,
starting with Toy Story, Pixar has detached itself from the
Disney Studios and gone on to independently produce the animation
films.
There are so many other films that come out these days that do
have those equally amazing special effects, but why is it that a
film like War of the Worlds or Batman Begins – that utilizes real
people – doesn’t resonate with humanity as much as animations.
Why couldn’t these studios come up with such brilliant ideas and
screenplays as they did for the incredible and make films out of
them.
The reason for this is that films that deal with actors have so
many people working on it that after a while it loses it singular
vision and it becomes a project that is out to please everyone
and in the end, its variety doesn’t connect with any individual
targets. Also, these films deal with locations and availability
and contracts and sometimes it’s quiet difficult to redo a scene
or reshoot a different ending because everyone involved is not
available or willing to come back and work on the project again.
The great thing about animated films is that it all takes place
inside an office and it becomes more of a product than a work of
art and luck and service. If the storytellers come up with new
bright ideas, all they need to do is send in a memo and the
animators will draw a new character or they will sketch in a new
ending.
Of course, this may be the reason why most animations are not
nominated for the oscar for Best Picture because they are not
really considered films. Except for the more recent exceptions of
the Lion King and Beauty and the Beast that were both nominated
for the coveted prize.
While making film, you are putting in a position to fail
miserably but also you keep yourself open to experience magic
and surprising sensitivity that is rare in animated films. In
recent years, there were a few films that really hit those
magical notes of truth and humanity and the reason why audiences
gravitated toward them was precisely because it felt like it
almost never happened. A few of those films were Sideways,
Crash and the soon-to-be released Machiavelli Hangman.
Finding Nemo, Monsters Inc, and the Incredibles drew in large
crowds of child fans but also adults because they made them
believe in the stories and they had a central theme that
resonated with everyone. If more films like Sideways and
Machiavelli Hangman were produced, the world would be a much
better place.
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