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The film started off in thrust and Perry as the characters used
words as swords. Curses flew like bullets and every punchline was
a sting, a hit, a dive, a dodge, you name it. The script is at
its best and untamable when the room is crowded with four five
more characters who fight to get a word in. And it all makes
sense when a hundred voices interweave to say the same thing:
we’re going to die.
Imagine His Girl Friday with not just Cary Grant and Rosalind
Russell throwing words at each other, but a whole lew of people.
Indead, Machiavelli Hangman maximizes the humor and the wit of
His Girl Friday, the masterpiece of 1940. It’s a throw back to
those comedies that made us think and at the same time laugh.
Machiavelli Hangman is the story of George Newman, a loser who
can’t seem to get a handle on life and does everything wrong.
Interestingly though, and this is the redeeming element about his
character is that he somewhat manages to know right from wrong
and he often chooses the more righteous path. Without wanting to
give too much away, George is caught in a case of mistaken
identity and he is forced to do things that number one he
couldn’t because he’s such a dork and number two, he wouldn’t
want to because he’s such a moralist.
What makes this movie into such an exhilarating ride is how the
story is told. It’s nothing like you’ve ever seen before. Memento
took the movie and presented it backwards so that we would know
the result before the cause. In this case, we find out what the
result is, then the cause, then the alternative cause and then
the real cause. Rashomon did it in a similar way by having the
characters flashback to different interpretations of the same
story. In this case, there is only one version of the story but
we as an audience chose to see one thing instead of another
because of our preprogrammed understanding of Hollywood
conventions.
Shervin Youssefian who is the writer and director of the film
creates a situation where everything seems to be pointing at one
possible result and we only follow the guidelines to figure out
for ourselves what is not shown. Later on, as the scene is played
again, the surprising and somewhat embarrassing factor comes into
play when the audience realizes that it’s been fooled the whole
time. The film is like the Sixth Sense, but what that film did
only at the end, Machiavelli Hangman does throughout the whole
film.
The acting is superb and the directing is first rate. Machiavelli
Hangman is a film that will be cherished and enjoyed for a long
time to come and will only get better with every viewing.
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