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Rob M. Delaney of Machiavelli Hangman, invites you to reprint this article in your publication, ezine, or on your website.

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    Machiavelli Hangman - A 5 Star Review
    Copyright © 2005, Rob M. Delaney

    Rating: * * * * *
     
    Man tied to a bedpost surrounded with five gunmen. At first 
    sight, you may think that this is your usual thriller but then 
    you realize something is slightly odd. The gunmen are faceless. 
    As the camera pushes its way into an extreme close-up of the 
    prisoner, the image then cuts to a scene outside of the room that 
    took place earlier in the week. What is so stunning about this 
    opening is that the audience realizes there has been a shift in 
    time and space until it's too late.
      
    Writer-director Shervin Youssefian plays with this flash-back 
    tool so brilliantly that audiences are floored at how many 
    times a director can surprise them with a variation of the same 
    technique. Youssefian has achieved such a remarkable treat in 
    Machiavelli Hangman that it equals Hitchcock's much duplicated 
    track-back-zoom in technique that he created for Vertigo.
      
    Like previous films that indulge in that flashback style like 
    Pulp Fiction or Memento, Machiavelli Hangman jumps back and 
    forth between Monday and Tuesday, but it does it so seamlessly 
    that it all feels like it's taking place within a continuous day.
     
    Machiavelli Hangman tells the story of George Newman who is a 
    shoe shiner and is mistaken for an assassin. After a brilliant 
    first half, we follow George as he tries to get himself out of 
    this terrible (but extremely amusing) predicament. Unfortunately, 
    he only makes matters worse because he gives in to his greed and 
    pride.
    
    Machiavelli Hangman is a story of redemption, not for the things 
    that you may have done, but those things that you haven't. It 
    has such a strong inspirational theme that goes along with the 
    impressive narrative that you want to jump out of your seat and 
    hug the person sitting next to you.
    
    Not since watching Forrest Gump, did I feel so completely moved 
    by a film that as soon as I stepped out of the theatre, did I 
    want to do something more with my life.
    
    This film is reminiscent of the films of Alain Resnais, the 
    French Wave auteur, who made such films as Mon Uncle D'Amerique, 
    Last Year in Marienbad, and countless of other films that play 
    with time.
    
    Many already predict that Machiavelli Hangman will be one of 
    the most successful films of the year and although I had my 
    suspicions about that considering its low-budget, after seeing 
    the film, I am completely convinced that it will absolutely win 
    over audiences worldwide. 
    



    Writer's Resource Box:
    Rob M. Delaney, movie reviewer, has given
    Machiavelli Hangman a Five Star Rating:
    http://www.hangmanmovie.com




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