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SORRY, You Are Way Off If You Think An Independent Record Label Can't Be Super Profitable!!!
Copyright © 2006, Ty Cohen
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Independent records labels are usually more profitable for the
owner of the label than being allied with a major label because
the artist gets to keep 100% of the profit. So if money is the
only measure of profitably, independence puts more money in the
artist's pocket.
But if you are part of a new genre of music, you will probably
need the big boys to make your genre become popular enough to
command a world wide audience. Take rap music as an example.
Without the backing of the big record labels, rap would still be
basically a local phenomenon. The support that the major record
labels gave to rap artists is the reason it has become so
successful.
Riding on the tails of that success is a very profitable
independent market for rapsters and because of the national
market created by the major labels marketing and distribution
efforts, the independents are raking in huge amounts of money.
Without the initial backing of their genre, the independent
artists will still be making more money than artists working for
a big label, but the total amount of profit would be less because
of the much smaller market for the music.
The smart independent will leverage the money spent by the big
labels to help increase the popularity of their own genre of
music as the basis for making their own independent label more
successful.
Other Factors
Some of the changes that can help out the independent artist make
more money include:
* Home-studio systems like ProTools have dramatically reduced
recording costs. A sound studio can be built in your home
for around $10,000.
* Selling directly to the customer through the internet and
eliminating the 70-80% that goes to the retailer. As a result
they can offer the public lower prices, take the lessons
taught over at http://www.SellMusicOnlineLikeCrazy.com for
example.
* Sell music in MP3 format and burn CDs only when they are
actually ordered. One of the biggest distribution costs is
burning, labeling and shipping CDs to retail outlets with
no guarantee the CDS will actually sell.
You need to understand that all of the above savings will not
eliminate the need to aggressively market your music. Artists who
already have a following have been very successful with their
independent labels. The major benefit of signing with a major
record label is the marketing they provide. Smaller media
consultants can do the marketing and promotion of a CD for much
less than a major record label but good marketing and promotion
people will never come cheap. However, you may be able to get a
smaller media company to work on a low flat rate that covers
their basic costs plus a % of the profits from the sale of the
music.
Piracy...Help or Hindrance?
Piracy is not necessarily hurting the artist. It does hurt the
big record labels and many of the larger independent labels that
produce other people's work because they only make money from the
sale of the CD or from licensing fees if they own the copyright
to the music.
The file sharing networks that allow the piracy of so much of
today's music can raise the music's and therefore the artist's
visibility. Being more visible can actually lead to increased
sales for artists who don't have huge promotional budgets. By
being more visible, the artist can become more popular and will
be able to book more live performances. Even the most die-hard
"free downloader" will shell out money to attend a live concert.
The bottom line is music piracy hurts everyone involved in the
creation and distribution of the music except the performer.
Historically, under the big record labels, the performer usually
got the smallest piece of the profit pie. That fact is behind
some performers giving away MP3 versions of their music so they
can draw bigger crowds to live performances and also charge their
fans for professional quality CDs.
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The article on this page is Copyright © 2006, Ty Cohen
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